Posts Tagged ‘grit’

For Canada, maple relief

Monday, March 1st, 2010

The nation’s hockey esteem is intact after a 3-2 overtime win over the United States in the gold-medal game. ‘A game for the ages,’ said Canadian Jonathan Toews. By Bill Plaschke

From Vancouver, Canada

O Canada, did it ever fill the arena, everyone singing, players with their thick arms draped around one another, fans weeping into their giant red jerseys, surely one of the loudest anthems ever.

You know what? Let Canada sing. It earned it. It needed it. The joy, the relief, the redemption, and, of course, the farewell.

On the final day of Canada’s official duties as Olympic hosts, its national sport survived America’s national grit Sunday, winning the gold-medal hockey game over the United States in overtime, 3-2, in front of a bouncing sea of braying red.

The winners celebrated with the game’s best ice dancing, nearly two dozen men locked in a jumping, board-rattling embrace.

“A game for the ages,” said Canadian Jonathan Toews.

The losers fell to their knees, to the cold reality of silver by a sliver.

“It stinks; I mean, it really stinks,” said American Patrick Kane.

It was a shame for the Americans that it ended this way, losing a game they had tied in the final 24 seconds of regulation, losing despite having the speed and the legs and momentum.

But maybe it ended the way it was supposed to end.

Sidney Crosby, Canada’s national hockey hero, sprinting in front of the net and poking the shot past goalie Ryan Miller barely seven minutes into the overtime, throwing out his mouthpiece, throwing down his gloves, hurling himself into the glass, all of Canada at once sighing and screaming.

“I literally did not see the shot go in, I just heard the roar of the crowd,” Crosby said.

It is a roar that Canadians will cherish forever, a loud return of hockey esteem that had been dented by last week’s loss to the U.S., a cheery departure of an Olympics that they had embraced with fervor.

“You dream of this moment 1,000 times growing up,” Crosby said. “Then to have it come true is pretty amazing.”

The victory gave Canada its 14th gold medal here, a record for any country in the Winter Olympics. The silver gave the U.S. 37 overall medals, also a Winter Games record.

Given that, could it be the outcome worked for both sides? is such a thing even possible in sports anymore? If so, then it happened here Sunday, Canada hockey saving face with U.S. hockey gaining heart.

“We’ve proved that it’s not just Canada’s game,” said American Ryan Kesler. “We played good enough to win it all.”

It indeed appeared that the U.S. was going to steal it all when it took advantage of a tentative Canada third period to sneak in a goal by Zach Parise, completing the only period in which the U.S. outshot its favored opponents.

“We had all the momentum,” said Kane, who helped set up that tying goal. “Everything was going for us, everyone was really pumped, sometimes you think you have all it, and then . . .”

Then somebody decides to protect his heritage.

It turns out that, as witnesses suspected, Canada spent most of that third period, well, choking.

The Morning Pages releases Rising Rain

Wednesday, February 10th, 2010

Fusing country authenticity with the grit of city life, new York’s the Morning Pages aren’t just another Brooklyn band. since forming in 2007, the band has been adding some much-needed, rustic soul to the new York scene. With members hailing from everywhere from Nashville to San Francisco, the band draws it’s sound from a diverse set of influences, creating an eclectic mix of folk, country, soul, and good-ole-fashioned rock ’n’ roll. and as the band prepares to release their debut full length, Rising Rain (May 11, 2010 on Zealous Records) this spring, they are set to become more than just an East Coast secret.

Rising Rain was born out of a chance meeting between the Morning Pages’ lead singer Grant Maxwell and Russell Simins (The Jon Spencer Blues Explosion) at a Manhattan new Year’s Eve Party in 2008. Simins had heard the Morning Pages’ the Company You Keep EP earlier and impressed with their music, struck up a conversation with Maxwell. after a few cocktails, Simins signed on to produce the band’s debut full-length. Shortly thereafter, they hunkered down in Brooklyn’s Cowboy Technical Services Studio to record Rising Rain.

the results were pretty spectacular. Bringing musicians like the Pierces for the harmonies, as well as recruiting piano work from Alec Higgins (Alberta Cross) and fiddle accompaniments from Gillian Rivers (Nicole Atkins), Rising Rain is a classic country- folk record that’s as much Beale Street as it is Bleecker Street. the album’s standouts include the heart-wrenching folk ballad and first single “My Name is Lion,” joyous foot-stompers like “With the Lord” and “This City keeps Me Down” — tracks that are half folksy soul, half rooftop jam sessions. the record also has a number of plaintive, big-city laments like “Move to the Country” and “Makes Me Cry.” above all, the album fuses Nashville twang with new York sensibilities as few bands have done before.

“The Morning Pages write exceptionally organic and emotional music that pulls at the heart strings” – American Songwriter

“Rootsy combo the Morning Pages is based in Brooklyn but delivers a pleasingly vintage, warm, country-rock sound that’s far more suggestive of Nashville. ” -Time Out new York

The Morning Pages biography
It began during a downtown Manhattan loft party on new Years Eve of 2008. A somewhat intoxicated Grant Maxwell, lead singer of the Morning Pages, was approached by an equally intoxicated Russell Simins, drummer for the John Spencer Blues Explosion. He had heard the Morning Pages’ EP and was impressed with the band’s unique blend of Country, Soul and Rock ‘n’ Roll. Simins and the band got to talking and eventually agreed he would produce the Morning Pages’ debut album, Rising Rain.

Simins and the Morning Pages hunkered down in Brooklyn-based studio, Cowboy Technical Services (Ryan Adams, Steve Earle), and began work on the 11 tracks that make up Rising Rain. Surrounded by walls of vintage gear and faded Al Green and Waylon Jennings album covers, the band tore through material ranging from the raucous stomp of “With the Lord,” the epic beauty of “My Name is Lion” and the classic country-flavored duet of the title track. the Morning Pages brought in a cast of NYC’s brightest up-and-comers to help out on the record, including sister-duo the Pierces who sing harmonies on over half of the record, Simins himself on percussion, Alec Higgins (Alberta Cross) on piano, and Gillian Rivers (Nicole Atkins) on fiddle.

With prominent influences such as the Band, Waylon, Willie, and Gram Parsons, the Morning Pages, who originally hail from Nashville, Austin, Tulsa, San Francisco, Ohio, and Massachussettes, bring a deep, rural passion to the new York City scene. alongside contemporaries like the Felice Brothers and Blitzen Trapper, the band blends the speed and sophistication of the city with the organic depth of the country. their debut EP, the Company You Keep, released in the summer of 2007, perked the ears of critics, with the Tripwire declaring: “The sound that these guys got onto tape comes from the mighty heavens. It’s like American Beauty slept with Gram Parsons and Emmylou Harris while cheating on the Band’s version of ‘I shall Be Released.’”

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